Blog Posts“How to Adapt a Book to Screen,” from Guest Bloggers The Writers of ‘Game of Thrones’

Greetings! We are the writers of Game of Thrones, the popular HBO series based on George R.R. Martin’s fantasy series, A Song of Ice and Fire. Some of you may have been wondering, “How on Earth do the writers manage to condense an 800-page book into a 10-episode series?” Well, we’re here to share you our secrets. After we give you these three handy tips, you’ll be able to adapt a book to screen yourselves!

Tip #1: The more prostitutes, the better.
We at the writing staff of Game of Thrones are still really bummed that Deadwood was canceled after the third season. We loved that show. That show had prostitutes, and they were naked a lot. Remember the nakedness? Yeah, so do we. So, we are trying to emulate some of the values of the 1800s midwest in our show where the setting resembles medieval England. There were prostitutes in medieval England, right? Right.

Tip #2: Invent prostitutes where there are none.
Those of you who have read the book know that, any episode now, you will be meeting a prostitute named Shae. But who wants to wait eight episodes to meet a hooker? That’s seven whole episodes with fewer slurpy blowjob sounds, and fewer boobs! We can’t have that.  Thus, we have created a character entirely for the series: a hooker named Roz. In the last few episodes she’s probably had as many lines as Catelyn. You’re welcome.

Tip #3: Prostitutes can be used as effective shorthand for characterization.
After Viserys Targaryen caressed his sister’s naked breast, sold her into sex slavery to get an army and a crown, and threatened to let the khal’s horses fuck her, we still weren’t quite sure you understood that the character is supposed to be a jerk. So that’s why we threw him in a tub with a naked Doreah so he could be mean to her, and you could FINALLY understand the point of this character. And, we weren’t quite sure how to get across the point that Theon Greyjoy is kind of a whiny shit who kind of resents the Starks; we thought it came across when Tyrion exposited this information to the audience and reminded Theon of who he was. But just in case, we included a scene where Roz mocks and teases him. (You know you’re ineffective when a prostitute tells you off, o snap!) Finally, even though we told the audience of Petyr “Littlefinger” Baelish’s backstory twice before – he loved Catelyn Tully, she loved him like a brother, there was a duel for her honor that he lost, and now he’s a master manipulator – we just really wanted to reinforce that information by having him repeat the whole thing while he instructs Roz how to finger-fuck another prostitute. Because we’re certain you didn’t quite get it the first time.

Tip #4: Kids and direwolves are not as important as BOOBZ.
Remember Rickon Stark, the fifth Stark child? Younger brother to Robb, Sansa, Arya, and Bran? We don’t blame you because we only showed him briefly in the first episode. And remember the boys’ direwolves? Wait, you probably don’t remember those either, because only Snow (Jon’s wolf) has shown up recently. Well, that’s okay. The symbolism is totally not as important as NAKED LADIES.

Tip #5: It’s not objectification because gay sex.
We know a lot of ladies out there have their feminist opinions all twisted because they have no senses of humor and bathe in their own period blood or something, but look! A few episodes ago, we totally showed Renly Baratheon and Loras Tyrell getting it on! That was just alluded to in the book, but we actually included a scene with two men making sexytimes! See, now all complaints about objectifying women as a cheap substitute for real drama are invalidated, because gay sex! Nyaaahhhh!

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Blog PostsA Game of Softening and Hardening (That’s What She Said)

After a few weeks of busy busy business, I’m…still busy, but most of my regular shows are now in hiatus until the summer, which means I finally caught up on the last three episodes of Game of Thrones (AND caught episode seven a little early, but I won’t talk about that one yet).

I have some issues with the storytelling choices the writers are making in adapting the book to screen.  I’m not a book purist by any stretch of the imagination.  I not only expect, but want, some changes in the screen adaptation of a book because they are two different media with two different requirements and strengths.  Unfortunately, I feel like the show is spending way too much time on providing exposition about past events and alluding to the future with heavy-handed foreshadowing, and not spending nearly enough time in the moment.

There are deft ways to weave in exposition to the story without making it the center of the scene.  Maester Luwin’s conversation with Bran in the fifth episode was a nice example of this; it appeared to be a drill session as he quizzed Bran about the different houses of the realm, but the meat of the scene was Bran’s resentment towards his mother for leaving him, and the ray of hope in his eyes when he learns he might be able to shoot an arrow after all.  But too many of the scenes seem to be of the, “Hi, [Character Name], I’m going to tell you all about yourself now so the audience can know who you are!” variety.  Just once, I would like a character to say, “You’re Theon Greyjoy, the son of Balon and the Starks’ ward,” and for Theon to reply, “Yeah? No shit.”  (Seriously, I think at least three characters at this point have told Theon who he is.)

Anyway, I was thinking about two characters in particular who seem very different from their book incarnations: Cersei Lannister and Sansa Stark.  The writers are making some odd storytelling choices that don’t quite make sense to me.  In short, one is becoming more sympathetic, and the other far less so.  Continue reading

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Blog PostsFeed the Trolls, Tuppence a Bag…

A little over a month ago, I wrote a half-serious post encouraging readers to avoid ableist language when making fun of stupid, annoying people.  I say “half-serious” because I still have mixed feelings about the use of “crazy” and “insane” to describe people as illogical or ignorant.

Apparently, one of my trolls felt differently, because s/he helpfully commented with this:

“this post is retarded”

Even better?  This person’s name is, apparently, “hi.”  In other words, this troll was determined to insult me by describing my post as “retarded,” but didn’t want to be that mean, so made sure to greet me cheerfully with a “hi” first.

I think this troll has more in common with my Comedian Troll than my Embittered Troll.  This troll has my Comedian Troll’s similar fear of capital letters that apparently extends to a fear of punctuation.  But I feel hesitant to classify this one as another Comedian Troll.

I thought about it, and decided that this person is a subspecies within the Comedian Troll species.  This is what we call an Ironic Troll.

The Ironic Troll is similar to the Comedian Troll but a little more focused in hir attack.  The Comedian Troll I had posted an anti-feminist “joke” about my making him a “sammich” on my Easy A review – a joke that was nonsensical and making little sense.  The Ironic Troll was a little more careful.  S/he wrote a comment saying my post was “retarded” in a post that decried the use of the word “retarded.”

Ironic Troll, I’m going to give you the benefit of the doubt and assume this irony was intentional.  As such, I must give you some credit for keeping your trollish comment on-topic and relevant.  Well done.

HOWEVER.  If your aim was to insult me, then I am afraid you failed.

What trolls don’t seem to understand is that I am not easily offended by people who try to offend me.  I am hurt when loved ones and people I trust throw around the word “retarded” like it means nothing, even knowing that I have a brother with a disability.  Thoughtless insensitivity can offend or hurt me, or fill me with contempt.

When a troll tries to provoke me just for the sake of provoking me, though…well, I just think that’s cute.  Aww, the troll wants attention so badly.  Let me scratch hir on the head and give it a cookie!

*gives cookie*

There’s a good troll.  Enjoy that cookie and run back under your bridge so you can torture those Billy Goats Gruff a little more.

*sniffle* They grow up so fast, don’t they?  Sunrise, sunset…sunrise, sunset…

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Blog PostsFemale Character of the Fortnight: Rebecca Black

Some might say that I’m cheating with this Female Character post, because Rebecca Black is not a fictional character.  But I’m not interested in writing a post about Rebecca Black, the real person.  I’m talking about Rebecca Black, the Internet phenomenon, who might as well be a fictional character.

Rebecca Black, the real person, has received death threats for the unforgivable crime of recording a bad song.  (Meanwhile, if you Google “Justin Bieber death threats,” the first page is not filled with articles about Bieber receiving death threats for recording similarly bad songs, but articles about Selena Gomez receiving death threats for the unforgivable crime of dating Justin Bieber.) 

Now, I try to respect everyone’s opinions, but anyone who watched this video and got angry, instead of laughing at the joke it was, has no life:

I’m going to be perfectly honest here: I find this song and video uplifting.  Really.  Unlike a lot of the teen pop singers of today, Rebecca Black the character is singing an age-appropriate song and wearing age-appropriate clothing.  I like that.

But what I really admire about Rebecca Black the character is her spirit and positive attitude.  This girl has a constant smile on her face even though her friends look like they’re bored out of their minds.  She’s always happy even though she can’t say the word “friends” without it sounding like “frans.”  She’s undeterred by the out-of-place, completely random rap solo by a guy who’s following her around in his car, rapping about passing a school bus when it’s clearly nighttime. 

And, even though she doesn’t want the weekend to end, because the next day is Saturday and Sunday comes afterwards, she’s still going to enjoy it while it lasts, by gum!

Her optimism is so bright and infectious that everyone can’t help but join in.  The Glee guys joined in on the fun, fun, fun, fun at their prom.  Brittany declared it the “Best Prom Ever,” and Santana was so caught up in the awesomeness of the dorky routine that she didn’t even stop her own dancing at the sight of a dorky poseur wearing her dress. 

“Well, I can’t enjoy the original video even on an ironic level because the song is THAT bad, and I don’t watch Glee.  Also, you’re stupid,” you might say.  Well, maybe (except for the stupid part.  I’m smarter than all of you.)  But are you really going to tell me that you can’t enjoy this?:

If you can’t enjoy even this, I must conclude that you have no soul.

Also, I find that “Friday” is a helpful song to parody for every holiday.  “It’s Good Friday, Friday, everyone getting down on Good Friday, all the Romans are looking forward to the crucifixion.”  Or even today, “Doomsday, Doomsday, we’re all gonna die on Doomsday, all the Christians are looking forward to the Rapture, Rapture.  Rapturing Rapturing.  Rapturing Rapturing.  Die die die die all of us are going to Hell.”

So sing on, Rebecca Black the character.  Never lose that smile, and you should appear on Sesame Street to further teach our children about the days of the week.

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ReviewsGlee’s “Funeral” and the First Annual McKinley High “Who Caresies” Awards

In the seventh season of Scrubs, Dr. Cox interrupted a scene of characters whining about their personal lives to present the “Who Caresies” awards.  The “Who Caresies” went to the person with the least interesting, most annoying, whiniest problem:

I would like to carry on this great tradition by bringing it from Sacred Heart Hospital to McKinley High School.

Nominee One: “Sue Sylvester and her impending run for the House of Representatives.”  A dark horse in the “Who Caresies” race, her chances of winning are small, now that she shows some character development, but she still has a shot since this development came too late in the season to have any real impact.

Nominee Two: “The Finn Hudson/Quinn Fabray/Rachel Berry/Jesse St. James quadrangle of doom.”  Truly the most circular and repetitive of the storylines on Glee, this love quadrangle manages to render each participant equally unsympathetic.  This would normally be the story to beat, but Quinn’s willingness to date Finn and “deal” with his feelings for Rachel by sacrificing all of her dignity and self-respect provokes deep feminist rage rather than indifference, and that’s going to hurt its chances.

Nominee Three: “New Directions Goes to Nationals.”  By avoiding any and all buildup and momentum to the three major competitions this year, and instead, choosing to focus on storylines like love triangles, football, funerals, weddings, and gay bullying, this story already had a lead in the race, but they may have clinched a victory by promising us a set of generic, badly-written original songs instead of something mesmerizing like last year’s Journey medley at Regionals.

Nominee Four: “Will and Emma still aren’t together for…some reason.”  Jayma Mays and Matthew Morrison still have a sweet, believable chemistry together, but their scenes now fail to invoke any emotion whatsoever.  It could pull ahead if enough members of the Academy fall asleep during their scenes.

May I have the envelope, please?

Aaaand the First Annual McKinley High Who Caresies goes to…New Directions at Nationals!

Commentary: This win was a surprise.  Most people threw in their bets behind the love triangle, but the upcoming competition at Nationals managed to pull ahead at the last second.  Still, I understand the Academy’s mindset.  New Directions performing terrible original songs was enough to provide several yawns from the audience, but the writers ensured complete indifference by neglecting to showcase the vastly superior Vocal Adrenaline all season.  If that weren’t enough, the viewers can rest assured that they will have no interest in the Vocal Adrenaline numbers either, as we will likely not see any performances of the “Rehab” and “Bohemian Rhapsody” quality, but will instead be subjected to a string of boring ballads performed by boring guest star Charice.

Congratulations, “New Directions Goes to Nationals.”  But honestly, you’re all winners.  When you make an episode featuring 1) a story about a disabled character, and 2) individual performances from my four favorite New Directions singers, and I fail to have the slightest bit of interest, you ALL deserve the “Who Caresies.”

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Blog PostsThe Problem with Damon Salvatore

The second season of The Vampire Diaries lived up to the promise of the first season, and then some.  Here are a few things about this year that I loved: Caroline as a vampire.  Tyler as a werewolf.  The introduction of Elijah, then Klaus.  Katherine coming to Mystic Falls and wreaking havoc as Nina Dobrev tears into the role.  Jeremy having a purpose, growing out of his emo stage and into his hot capable stage, and getting cozy with Bonnie.  Matt and Jenna each learning about the supernatural world.  The development of Bonnie’s witchy powers.   More and more witches coming to Mystic Falls.  Uncle Daddy John Gilbert being kind of a jackass, but still putting himself out there for Elena and Jeremy.  The introduction of the sun and moon curse, only to reveal in the end that whooops, Elijah and Klaus made it all up!  And last, but not least, Elena and Stefan continuing to have one of the healthiest, most mature, most mutually respectful relationships I’ve seen on TV.

I wondered how the writers would manage to top themselves in season three, but there’s already a ton of potential for great drama.  Jeremy can see dead people (or at least dead ex-girlfriends).  Klaus is now the vampire/werewolf hybrid he wanted to be for so long.  Stefan has sacrificed himself to Klaus, and the return of a truly dark Stefan will be fascinating to watch.  Elijah’s in a coffin with a dagger through his heart, but he’s not dead dead, and surely it’s only a matter of time before a character resurrects not only him, but his other Original brothers and sisters.  Liz Forbes has overcome her vampire prejudice to embrace her daughter, but will she extend that understanding towards all vampires?  Finally, after hearing all this talk about the original Petrova, we’re bound to meet her eventually, giving Nina Dobrev a third role to play.

This is an awesome, underrated show…but you’ll notice that it’s been two paragraphs and I have yet to mention Damon.  Damon is a character that is almost completely ruined for me, and if the writers aren’t careful, they’re going to ruin Elena by extension.

Continue reading

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Reviews“Bridesmaids,” Female Friendships, and Fat-Bottomed Girls

When I saw the trailer for Bridesmaids, I expected to see a female version of the buddy comedy and watch a rag-tag group of misfits struggle through the planning of a wedding and have wacky misadventures along the way.

Instead, I watched a movie about a down-on-her-luck woman struggle with her rather pathetic life while serving as her best friend’s maid of honor.

It was a different movie than I expected, and one that I enjoyed for the most part.  More than anything, I appreciated that the movie was clearly written by women who value other women. Continue reading

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Reviews“A Fist Full of Paintballs” and “For a Few Paintballs More”: Community 2×23-2×24

Community ended its second season with more paintball.  When this information was released on the Internet, there was much rejoicing from 75% of the viewing audience, while the other 25% of the audience crossed their arms, grumbled, and preemptively decided that no way could this two-part finale possibly live up to season one’s “Modern Warfare.”

Well, this part of the audience was correct.  It didn’t live up to “Modern Warfare.”

It was better than “Modern Warfare.”

Why?

1) No forced sexual tension between people who don’t really have it.  I’ve enjoyed almost all of Jeff and Britta’s scenes in season two, but their interactions in season one were highly annoying about 90% of the time.  Their scenes in “Modern Warfare” took up too much time for my taste.  In the paintball sequel, though, the sexual tension was mostly between Annie and the Black Rider, and then Annie and Abed.  As someone who couldn’t stand Sawyer on Lost, I thought Josh Holloway was perfect and amusing in his small role as the hired assassin.  And, as someone who has been rooting for Jeff/Annie for the last year, I enjoyed the brief foray into Annie/Abed and wouldn’t necessarily mind if that chemistry was explored more next season.

2) Everyone in the group got the chance to be a hero.  “Modern Warfare” is a brilliant episode of television, but due to the Battle Royale format, some characters had to be eliminated from the mix too early.  It’s always disappointing to see Troy, Annie, and Pierce taken out so early.  This year, Annie got to be the star of the entire first part, Jeff and Troy divided strategy responsibilities between them, Abed was Han Solo, Britta and Shirley had the heroic golf cart chase, and Pierce won for Greendale in the end.  I liked that, even if a character was removed from the game, s/he wasn’t removed from the episode.

3) More participation from the rest of the Greendale campus.  Vicky, Fat Neal, Garret, Leonard, and Starburns all got to play a little more than they did last year, but the best part was Magnitude sacrificing himself by diving on top of the paint grenade.

4) Reference after reference after reference!  First it was a spaghetti western, then it was a Star Wars movie, and I have no idea what it was by the end, but it made me laugh and clap and dance with joy.

I think I love Community so much because, if I had my own show, it would be very similar in style.  Some viewers get tired of the constant reference humor, but I can’t get enough of it.  I feel like watching Community is like watching a live-action version of The Simpsons.  I even laugh at the references I don’t understand.

What a way to end a season.

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Blog PostsThe Questionable Redemption of Dave Karofsky

Overall, the prom episode of Glee was one of the strongest of the season, and possibly one of the strongest ever.  There was a good mix of pathos and humor, Sue was funny again, and the love of performing shone through in all of the songs.

There’s a lot I can say about last night’s episode.  But I can’t talk too much about the Finn/Quinn/Rachel nonsense without going into apoplectic fits of rage about how Quinn could be an interesting character but isn’t, and how Finn is only likable as Kurt’s brother and sucks as a boyfriend no matter whom he’s dating, and how Rachel is downright pathetic about Finn when she has ten times the chemistry with Jesse St. James.  I also can’t talk too much about Kurt and Blaine without babbling incoherently about how cute they are, how Kurt is so precious and brave, and how Blaine is such a good boyfriend and head-over-butt in love with him, and I’ll stop now before I give you all a cavity.

Instead, I’ll talk about Dave Karofsky.  I don’t hate his storyline like I hate the “love” triangle, and I don’t love it like I love everything having to do with Kurt and Blaine. Continue reading

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Blog PostsLessons in Funny Feminism from My Mother

I’m hilarious.  This is a fact.  I also have strong feminist sensibilities.  Put together, those qualities make up a pretty excellent person.  (Humility: not one of my virtues.)  But I can’t take credit for those qualities all on my own.  While they have developed and grown over time, I can safely say that I would not be the feminist or humorist I am without the influence of my mother.

My mom didn’t change her name when she married my dad.  I didn’t realize that this was a big deal until I reached my playground years and met my friends’ parents, and noticed that their mothers and fathers had the same last name.

“Why don’t you and Daddy have the same last name?” I asked her.

“I didn’t change my name when I married your father,” she said.  “This is the name I was born with, and this is the name I’ll die with.  It’s part of who I am.”

It seemed like such a little thing…and yet it wasn’t.  My mom kept her name because she held onto a crucial part of her identity.  She didn’t become a different person when she married my father.  Every time she made an irritated face and complained when she received a piece of mail addressed to “Mrs. [My Dad’s Last Name],” I was reminded of that.

When I was a young girl, I thought that the practice of women keeping their last names when they married was the norm.  It wasn’t until I met other moms and dads that I realized it wasn’t.  I wish it were the norm.  But it was nice having a mom who broke those rules.

As I grew older and became interested in boys, I talked with my girlfriends about our crushes.  My friends would try to pair their first names with their crushes’ last names to “see how it would sound,” but I never participated in that part of the game.  The idea of changing my last name when I got married never even occurred to me.  It still doesn’t.  If I met Darren Criss and he asked me to marry him, I would only say “yes” on the condition that I could keep my name.  If he didn’t agree, I would say, “See you later, sexy hobbit.  Let me know when you’re finished with A Very Potter Threequel.”  Not even those gorgeous features and that voice like buttah could make me give up one of my core principles.  Besides, Mom would never forgive me.  She couldn’t run for Vice President if her daughter became a sellout.

Oh yes, I forgot to mention that my mom ran for Vice President back in 2008.

You see, back when Sarah Palin was first selected as John McCain’s vice presidential candidate, many people were questioning her qualifications for the office.  They didn’t feel she was experienced enough.

My mom took a different approach to this debate.  She argued that Palin’s qualifications were certainly good enough to make her a serious candidate for the vice presidency.  And to prove her point, she got her hair did (as Tracy and Angie Jordan would say) in a Palin-like ‘do, dressed in a sharp business suit, stood in front of an American flag, and took her picture.  She emailed this picture to all of our family and friends, announcing her run for Vice President of the United States…because she had roughly the same amount of experience as Sarah Palin.  After all, they both had sons with disabilities and the same understanding of foreign policy and affairs.

Obviously, the picture wasn’t enough.  She had to write a campaign fact sheet, stating all of her political beliefs and how she was just as qualified as Sarah Palin for this position.

Looking back, it seems to me that Sarah Palin’s rise to prominence was not very good for anyone in America (except Tina Fey), but then I think of my mother’s campaign and think, “Damn, my mom is funny.”  I don’t often give her enough credit for her humor, but the phony campaign so amused me that I wished I had thought of it.

So thanks, Mom, for your feminism and your great sense of humor.  This post is for you, and is no way in lieu of a real gift that I was too cheap to buy.

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