Blog PostsFormative Performance: Marisa Tomei in “My Cousin Vinny”

I love me a good sass-mouthed broad, and there are few characters I’ve seen that fit the description more than Mona Lisa Vito in My Cousin Vinny.

People were not happy when Marisa Tomei won the Academy Award for Best Supporting Actress in My Cousin Vinny. In fact, this win became the center of one of Oscar history’s meanest rumors – that Jack Palance read the wrong name at the ceremony and no one bothered to correct the mistake.

Obviously, this is a lot of “jus jellus” B.S., because the Academy would never let such a mistake go uncorrected. But the rumor still gained a certain amount of traction. People wondered why Tomei, a first-time nominee, won over more prestigious actresses in more prestigious movies.

I can’t comment on that because I haven’t seen three of the other performances, and I watched Howard’s End so long ago that I barely remember. I honestly don’t care about the competition from that year. What I care about is the fact that a purely comedic performance was nominated for an Academy Award and WON.

I love Tomei in this part. Every aspect of her performance is perfect, from the way she gestures to a jerk in a bar with her pinky finger to point him out to her fiance, to the way she reluctantly takes the stand at the end of the film as though it’s the last place in the world she wants to be – until she sees the flaw in the case and winds up saving the day. She’s hilarious in every scene of this movie and I’m so glad she went on to receive two other Academy Award nominations just to prove the haters wrong.

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Blog PostsFormative Performances: Holly Hunter in “The Piano”

[The following is a guest post from abovethetitle.]

In picking up on Lady T’s theme of performances without a great deal of spoken dialogue, I have chosen to highlight Holly Hunter in “The Piano.” In fact, Hunter’s character Ada McGrath has been a mute since age six and the audience only hears her internal narration. Hunter has a long history of playing female characters brimming with intelligence – who can forget “Broadcast News”? – but her portrayal of Ada showed us new depths to her talents and anchored one of the most popular arthouse hits of the ’90s, and a female-centric one at that. Hunter and her co-star Anna Paquin won Oscars for their performances and Jane Campion, who won Best Original Screenplay, became only the second woman nominated for Best Director. I encourage you to check out this gem if you haven’t already.

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Blog PostsFormative Performances: Mary Stuart Masterson in “Benny and Joon”

As the sister and co-guardian of an adult man with autism, I am equally fascinated and repelled by movies that have disabled characters at their center. I loved Rain Man when I was a kid, and I still love Dustin Hoffman’s performance in that film, but I can’t watch another movie that puts a disabled character in the role of “mentor”: the disadvantaged person who teaches the neurotypical person how to live life to the fullest.

Benny and Joon is unique in that it creates a third character, a Buster Keaton-esque quirky man named Sam (Johnny Depp), to teach both the able-minded sibling Benny (Aidan Quinn) and his mentally ill sister Joon (Mary Stuart Masterson) how to live life to the fullest. He’s the Manic Pixie Dream Guy, if you will.

When I first saw this movie, I was still in the middle of my huge Johnny Depp crush. I’ve since gotten over it, but the movie still holds a special place in my heart. I love Mary Stuart Masterson as Joon. The script never names the mental illness she struggles with, and the film as written could easily show Joon as a collection of QUIRKY! character traits that everyone finds highly amusing, but Masterson gives Joon sympathy and humanity. I watch her in the film and all I want to do is take care of her, or help her find a way to take care of herself. The effect of her performance in this film is less about great line deliveries and more about facial expressions and quiet moments, and how she shows Joon’s natural state of tension and stress with the way she gradually lets herself go and opens herself to a man who may just be weird and off-key enough to understand her.

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Blog PostsDon’t be a Liberal Misogynist

[I swore to myself I wouldn’t write about this, but I can’t seem to help it.]

Rush Limbaugh said something vile and misogynistic about Sandra Fluke. A lot of people got justifiably angry. After seven or eight advertisers dropped him like a P.R. nightmare potato, dear old Rush made an apology from the depth of his wallet – I mean, heart.

Of course, he didn’t leave it there. He blamed liberals for his original comments, saying that he “became like them” when he used misogynistic slurs to describe Sandra Fluke. Michele Bachmann also weighed in, saying, “I have never seen this level of outrage on the left about what the left-leaning commentators said about me.”

This reaction reminds me of the behavior I would see in my students when I taught eighth grade. Kid A would throw a pen at Kid B, and when I told Kid A to stop, Kid A would defend hirself by saying, “But Kid C did it to Kid D a minute ago and you didn’t say nothin’!”

Limbaugh is employing eighth-grade behavior here, deflecting from his own terrible action by pointing out what leftists have done in the past, and Bachmann is employing the same argument. They don’t have principled stands on misogyny; they just don’t like it when people use misogyny against them or criticize people on their side. They’re hypocrites.

But they’re not wrong.

As Kirsten Powers from The Daily Beast pointed out, many so-called progressive men like Bill Maher, Keith Olbermann, Michael Moore, and Chris Matthews (who hates Hillary Clinton like it’s his job), consistently employ misogynistic slurs and tactics against women they don’t like, be they Sarah Palin, Michele Bachmann, Michelle Malkin, or other conservative women.

“So what?” You might ask. “Those women are bigots! These men are just telling like it is and calling these women out on their hypocrisy!”

Actually, no, they’re not. They weren’t saying that Sarah Palin was unqualified to hold national office because she was too uneducated in federal politics. They were calling her a “dumb twat” – reducing her to a female body part.

This is a problem. You can’t claim to be on the side of women if you turn around and use a sexist slur against a conservative woman. If you believe misogynistic slurs are wrong, you should believe they’re always wrong, not just okay when used against women you don’t like.

Now, I will freely admit that I break my own rules at times. I stop being a feminist when I’m in the driver’s seat and I say foul things when some [word redacted] cuts me off. Sometimes when I’m angry, I’ll unleash a b-word or even a c-word – with the windows rolled up, under my breath, when the only person who can hear me is me. I’m a human being, so are all of you, and sometimes we choose to do things that we know are wrong. It doesn’t (necessarily) make us bad people (depending on the action).

BUT I also don’t try to pretend I’m justified in saying the b-word or c-word. I don’t say, “She is such a [word redacted] and it’s okay for me to say that because I’m a feminist!” I say, “She is such a [word redacted] and I know I shouldn’t say that but I am because HULK SMASH!” I know it’s wrong. Sometimes I do it anyway – but only in the privacy in my own car or among my closest friends, people who know me well. I don’t publicly call ANY women misogynistic slurs because it hurts them, and it hurts my case.

So yes, I’m going to defend Palin and Bachmann and conservative women like them when someone else uses a misogynistic slur against them – even though I disagree with them on almost everything, even though they express bigoted viewpoints, even though they wouldn’t do the same for me. We all should defend them, because if we don’t take a principled stand against that kind of language, we can’t claim the moral high ground and we can’t make the world a better place for all women.

Besides, do you really want to be responsible for proving RUSH LIMBAUGH even the teensiest bit right about anything? I didn’t think so.

The flip side is that conservatives should also call out their own kind for misogyny, and should defend Hillary Clinton and progressive women against sexist attacks – and, of course, many of them only bother to care about misogyny when Republican women are the victims of it. Trust me, I’m aware of that. But I also don’t think most conservatives read my blog anyway, so this post is directed towards the more typical reader.

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Blog PostsFormative Performances: Natalie Portman in “Black Swan”

[The following is a guest post from abovethetitle.]

I am obsessed with today’s entry. There is usually one performance per year that I simply can’t get enough of and last year was all about Natalie Portman in “Black Swan.” Her Nina is a woman battling an obsession of her own – her quest for perfection. Playing into folklore about dopplegangers, Darren Aronofsky’s psychological thriller takes full advantage of all of Portman’s gifts as a performer, using her doe eyes and grace to convey Nina’s descent into madness.

My absolute favorite scene is actually right after this one but I haven’t been able to find it on YouTube. It’s when Nina comes offstage in an absolute trance having finally been perfect. The look on Portman’s face in that one shot alone makes her worthy for mention in this list.

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Blog PostsFormative Performances: Pam Grier in “Jackie Brown”

It’s Day 5 of Women’s History Month, and I need y’all to sit your a**es down and shut the f**k up and listen to me talk about Jackie Brown.

I’ve talked about Jackie Brown before. She’s the title character of Quentin Tarantino’s Jackie Brown. She’s a woman caught in a near-impossible situation, starting off as a mere pawn in Samuel L. Jackson’s drugs and money scheme, who eventually makes a choice to start her own scheme. She makes the drug dealers and cops the pawns in her game and puts together a plan to steal half of a million dollars. Does she succeed? Well, if you’ve seen a Tarantino film before and noticed how he tends to treat his female lead characters, you can answer your own question there.

Try to forget about the film ending for a second. This is a woman who knows that Samuel L. Jackson’s character is on his way to kill her. She waits until he has his hand around her throat to strangle her before she cocks the gun at his…well, you know. I can’t even begin to contemplate the amount of…let’s say “courage”…it takes to patiently wait for a man to try to kill you before you turn the threat right back on him.

Robert Forster received a well-deserved Supporting Actor nomination for his performance in Jackie Brown, but I think Pam Grier should have received a Lead Actress nomination as well. Her fierce, determined, calculating, intelligent portrayal of Jackie Brown carried the movie.

This was also one of the first performances that made me start thinking about social justice and the lack of diversity in Hollywood – an issue that I’d always been vaguely aware of, but never really followed closely. A role like Jackie shouldn’t be so rare for black women and/or women over forty.

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ReviewsSketch Comedy Monday: “The Real Housewives of Disney”

So, Lindsay Lohan hosted Saturday Night Live this weekend, and yeah, whatever. I didn’t watch because I suspected that the show brought her on solely because of her trainwreck status and I have no interest in watching someone self-destruct onscreen.

I did, however, watch one sketch: “The Real Housewives of Disney.” In this sketch, Abby Elliot plays Belle, Nasim Pedrad plays Jasmine, Lindsay Lohan plays Rapunzel, Vanessa Bayer plays Snow White, and Kristen Wiig plays Cinderella. Hulu and NBC.com seem determined to make sure that none of their embed codes actually work, so I’ll post the link here: Real Housewives.

This sketch seems indicative of a positive trend in Saturday Night Live. The cast is still dominated by men, with nine (also very talented) men to the four women, but they seem to be featuring the women more frequently, giving them good material and putting them in scenes together (as opposed to always pairing them with men).

As for this particular sketch, I loved (almost) the whole thing. The part of me that’s still obsessed with Disney always enjoys Disney parodies, and the idea of all of these princesses living together is inherently funny. I love that Cinderella is a drunk and that Prince Charming is a gay man who’s just as bitchy as most of the women in the house – he’s THE most boring of the Disney princes and this was a fun way to give him more of a personality. For me, though, the MVP of the sketch was Bayer as Snow White. Snow White is the most girly and high-voiced of the Disney princesses, and hearing her in her Joisey/Lawn Guyland-esque accent cracked me up. I also loved watching those seven little hands high-five her all at once.

The only part of the sketch I didn’t love was – you guessed it – the rape joke. It’s not that I expected it to be potentially triggering because I doubt anyone’s been sexually coerced by a parrot, but it was just kind of weird and unnecessary. (And, well, not that I love rape jokes anyway, but if you have to make a rape joke about a Disney princess, two of them were kissed when they were sleeping – there’s your rape metaphors right in the texts.) At the same time, I get that these shows usually have one really weepy character who always has bad stuff happen to her, and it was an amusing surprise to see tough Jasmine as the weepy one while fluttery Snow White is the sarcastic one.

Also, did anyone else think that Rapunzel was an odd choice of princess to use? Tangled did pretty well financially, but most Saturday Night Live viewers haven’t grown up with her, while Snow White/Cinderella/Belle/Jasmine were a part of most of our childhoods. I’d have done something with Aurora from Sleeping Beauty instead. That was a nice shout-out to Ariel with the shell bra, though.

“Be our guest, be our guest, caviar, Versace…” Great, that’s going to be stuck in my head all day.

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Blog PostsFormative Performances: Bette Davis in “All About Eve”

[The following is a guest post from abovethetitle.]

Perhaps the greatest film of all-time about show business, there are simply not enough superlatives in the OED to hurl at Bette Davis in “All About Eve.” At her snarky best, Davis’s Margo Channing is a highly-lauded but aging Broadway diva who finds her career and well-being threatened by a fan who ingratiates herself into her life. The story has spawned millions of versions of the understudy stealing the limelight from the star story but none with the biting wit of Joseph Mankiewicz’s screenplay. Davis was against another iconic story about an aging diva – Gloria Swanson in “Sunset Boulevard” – at the 1950 Oscars but, as Margo so famously said, “You can put that award where your heart is.” Perhaps no other film tapped into Davis’s unique sardonic deadpan quite as well as “Eve” did and I am proud to not only applaud this performance (musical theatre fans, that was a pun on “Applause,” the Broadway musical based on “Eve”!) but also to count this film in my overall top five favorites of all time.

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Blog PostsFormative Performances: Sarah Polley in “Go”

It’s Day 4 of Women’s History Month. Who cares?

Just kidding. Obviously, I care very much. If you mentioned Women’s History Month to this character, however, she would do nothing but give you a contemptuous stare, because if you start waxing rhapsodic on a feminist philosophy when she’s trying to get her work done, or take a break from her work, she will have no patience for you. She will look at you like this.

Would you want to be on the receiving end of that look? I wouldn’t.

Go is memorable as the first R-rated movie I sneaked into, after the squeaky-voiced teen at the theater refused to let me and my friend buy tickets. We paid to see something else and then walked right into the theater playing Go. And it was love at first sight with me and Sarah Polley.

Her character, Ronna, is a supermarket cashier who’s facing eviction. She’s seventeen, which makes me think that she’s an emancipated minor, except I can’t picture her going through the actual work of trying to emancipate herself. She picks up an extra shift when one of her co-workers goes out of town. She is bored and irritated with life and everyone around her and will give you THAT LOOK at the smallest, teensiest request that might inconvenience her for no more than five seconds. I love her.

Watch her play Dead Celebrities with her co-workers, played by Nathan Bexton and Katie Holmes (who gives the same performance she gives in every role she’s ever played except for the title role in Pieces of April):


It’s not my favorite scene of hers in the movie, but unfortunately, YouTube is lacking good clips from Go. Anyway, I love Polley in this movie because she’s not just playing boredom and disaffection. The depth of her boredom and disaffection is cavernous.

That all changes, of course, when she gets the opportunity to sell some drugs!

I won’t spoil the rest of the movie. I’ll just say that Sarah Polley taught me a lesson about acting: if you’re cast in an R-rated comedy that’s frothy and fun, your performance can still have depth and layers even as you play along with your other actors. I’ve seen Go several times and I enjoy the film, but whenever Polley is onscreen, I find myself wishing the whole movie was about Ronna.

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Blog PostsFormative Performances: Alicia Silverstone in “Clueless”

[The following is a guest post from abovethetitle.]

Bandwagoning on Lady T’s praises for Gwyneth Paltrow as Emma, the mid-’90s saw another adaptation of Jane Austen’s classic tale, updated to then-contemporary Beverly Hills. Maybe it’s silly. Maybe it’s fluff. But this comedy influenced fashion, had its dialogue peppered into everyday teen speak and made a household name of my choice for today – Alicia Silverstone in “Clueless.” Amy Heckerling’s razor smart comedy took Austen’s most prominent themes and applied them to the story of a spoiled rich girl navigating her way through her high school’s caste system. How can you hate on a screenplay that managed to make Austen hip, happening and also just downright funny? What? You think this list would be complete without a Cher Horowitz shout out? AS IF!

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